Friday, 12 March 2010

Diary of an Exported Writer


Dear friends,

The Diaries are now nestling in a new project called Arjuna's Octupus where you'll find some very good writing. You'll find new posts already up!

The Whispering Rosebush has also moved to Poetry Holland.

Please update your bookmarks. It's been fun here.

Arjuna

Tuesday, 2 March 2010

Diary of an Unborn Writer #45 - Hanging all existential

Now resting on my Grandad's farm near Brisbane, Queensland, Oz. There is completely nothing to do but read and speak to the old man about his life and learnings. And these are deep. Treasured slow times, so after the relative pace of NZ (which by many measures was pretty slow - though internally a riot) I'm slowing down my psyche in this purgatorybetween the old and new.

It feels like a new life was revealed to me in NZ. Of potential and enjoyment and what can be done if we only do it slow enough - just what miracles can be achieved. There's the sort of optimism only a blank slate can give you. Ideas for the novel polished and developing, ideas for how to fill my time after the 3.5 days a week at my large blue-lettered employer. Funny how opportunity can produce such anxiety. A problem grappledwith by our friends Heidegger "et Sartre" (though I've recently discovered Heidegger turned into a Nazi propogandist after being elected rector of Freiburg University, arguing that Germans were not concerned enough with great men and struggle).

Looking at the tip of this anxiety it appears to have a taste of "anti-being" - a fear projected into the future so as to cover all expectation of future action. It cannot accept that life brims from the finger tips of this one as he writes or sleeps or enjoys another simple day in an impossible life. This impossibility is just what perplexes the"anti-being". It's all happening without it. The alienation going on without a hint of involvement in the surrounding events. The alienation removes itself from the world, and once this is seen, is as fragile as a bubble that goes pop and up lurches the realisation that it was never apart anyway, a little flow of space time that folded in on itself and denied its own superb existence. A keen thing that, to see that it was never apart. The flow is and always will be the same.

~o~


Dark dawns

Represses facet

That is not felt nor said

But is expressed as release

Two poles of a sphere come together

Itself to disappear

This is the learning and the learned

The fighting and the sky

The love in a terrible beauty

The asking to be free

Monday, 15 February 2010

Diary of an Unborn Writer #43


Enough of these characters. I am a man not a writer. I am here in New Zealand. The people here call it AOTEAROA: The Land of Infinite Light.

I have been on islands and in cities. Heard the breathing of lakes, the heartbeat of a mountain. The latter is Mt. Ruapehu and I am camping at his base.

I am meeting Maori Wise Women and Masters of all colours: of dance, of music prepared to share their treasures and I sit like an empty box: receiving, receiving. Day by day turning into a new man.

I meet people like Rose Pere. She is a Tahuna a wisdom keeper and speaks with the strength and directness of a large stick. She is optimistic about people and their connection to the land that must be restored or we will go. Not the land. We.



I met Ojasvin, a dancing Master with his wife Iris who teach a Haka for Healing. They tell us to stand in joy and sing together.



Day by day, I also sit by my Guru, Prajnaparamita who is leading me on this trip. She speaks with a clarity and softness of feathers that can shatter bricks. I have many bricks and her words float around me and deconstruct me inside.

This is healing and out of this rich abundance of wisdom. Joy is surfacing. Like a seed through concrete cracks. Strength to fulfil good intentions is arising. I am travelling so the real test will be when I get home. But from this spot, free with each day and calling any new spot home, the rich fruit of life is calling me to enjoy it to the full and to take as many with me as I can.

Thursday, 28 January 2010

Diary of an Unborn Writer #42 - the Universe and Everything





What they said was nothing that had not been said before: You looked around the room at faces blank as if groaning, as singing is to a hum, with mouth closed. You heard the words: "You are not good enough" as the man at the top spoke to you from his black leather chair. Pools of light splashed onto the long table marking the journey of his voice from him to you.

It's funny because those words left his mouth but they reverberated around your head as the faces conformed the judgement you were being asked:

"Do you measure up?"

"Are you one of us?"

The answer to each was "No."

The meeting told you that were accepted as part of the team but perhaps this was not the best place for you. You could spread your wings elsewhere and had you ever thought about acting? Because you have great ideas but difficulty on keeping them focused on the business message (defined last week in hot debate at the management team meeting, they ate a Chinese afterwards and told the news to us by email).

You are careless stubborn and confused and we'll find you funny beause it's easier than taking you seriously . Your words might stick and cause discomfort and that is not what we are about.

We are about you ignoring yourself.

~ o ~

Leaving the office that evening and negotiating glass doors, wooden floors and the forgotten concrete staircase down to the floor, he had never felt more free. Snow that had fallen for five weeks in Amsterdam had solidified as comfort in his mind. On the staircase he had passed a colleague on his way up heading back for some overtime, his face as white as your that morning. Steps echo and out in the car park/forecourt/luxury space for a city it's short steps to the cigar cocoon of a train and passengers reading identical newspapers. The new place will be good, he thinks, relieved he's been let go, it's all he can think of now. A woman across from him glances attractively and down at a book which you frustrate to see th cover of; she'll unsettle you for the journey and you won;t have the courage to ask.

~ o ~

Hers was a hip that ran like sand between your fingers. The train conversation had gone better (!) than expected and bubbling confident woman -Cindy - had felt it was the kind of night when innocent men on trains dined out on their luck. You were led and didn't push and she eased you into bars and Utrecht and pushed you with words about aspiration and high tec calibre if world understanding and you intrigued because you could match her on Beirut, on Haiti and even outscore her on Addis Ababa although the light in her eyes (green) suggested she knew more about these things by looking at you than you did yourself. Feminine mystique pouring all over you and lamps spewed yellow cotton tufts and forced its way into comfortable spaces and leather seats and the cement mortar gaps between layers of slate on the one wall. The entire other was a mirror.

~ o ~

Lady you shocked me with a lipas I passed you for the bathroom and now I am stumbling backwards with one hand to hold myself up on the table, hoping that too won't tilt and the bladder will have to wait and you have a hold of me on the leather seat next to you.

Turned, I can't can't resist and do not wish to as we pull back and giggle and pay and leave and now your hand rests on her hips and gently she's awake and it's 4am and the two of you slept contentedly in folds but then a stir and a half street light on your faces you're reaching for eachother and cascading morning soaks the two of you in sheets cast aside as you search for the other in a cacophony of whisper-coated glances an grins subside to moans and kindness and resting again in folds: the hope and tragic parting you're encountering, even while together, becuase it cannot be like this again. The sweet pain of a sunrise of holding and Oh God, please don't let it be like this again. And all the rest can only be a memory - a reliving of the sweetness of this night.

Did I mention her hair? It was brown and long, eyes like the green of summer and you told her in shadows that if she felt like another she could take his number and call at any time.

She did and bought you icecream and politely told you no.

It wouldn't happen because like waves rolling into a beach and reflected off a cliff face you had met, crested and rolled on your way.

Funny how the boss had not put it that way and rolling on you're contented down a different set of stairs, a more tragically paved street. You're free again and all the wishing brings you down.

And besides. Kristy said she would marry you and her appartment is a block and a half away. You'll pop in after a coffee by the river.

Thursday, 7 January 2010

Diary of an unborn writer #40 - midlife crisis

What perplexes me, he said, is that if there is a state of being that is beyond all change, and I am supposed to working towards that, how come events have such an impact on how I feel day to day and the things that I am able to do?

A comment that someone needs me, a compliment from my manager, a phone call from a girlfriend, a really great piece of writing. These have an impact on how I actually am and what I able to then do. IE the energy from a walk in the forest gives me power to do well at work.

I guess the issue is a lack of trust that there I cannot experience this independent quality and then when I have glimpsed it, it is so delicate that is beyond the reach of every day. That there is not a confidence in THAT in all that I do.

I am so struck that delicacy of this all consuming power, how a whisper can break it, an eyelash remove it from view.

And I deeply long for it and know that longing itself is what keeps it obscure.

Presses down onto the tabletop with his thumb. It goes white and he looks at me straight with the open anguish of a man who does not doubt his words.
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